Rights of Man

The hornpipe “Rights of Man” holds an intriguing place in traditional Irish and Celtic music, both for its lively melody and its historical connections. The tune is often attributed to James Oswald, a Scottish composer and publisher active in the 18th century, though concrete evidence of his authorship remains uncertain. The piece likely gained prominence during the late 1700s, a time marked by social upheaval and revolutionary ideals sweeping across Europe and America.

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The title, “Rights of Man”, appears to reference the famous political pamphlet by Thomas Paine, published in 1791-92. Paine’s work was a defense of the French Revolution and a call for democratic principles and individual liberties. The naming of the tune may reflect the widespread influence of these revolutionary ideals during that era. However, it is unclear whether the tune was directly associated with political movements or simply adopted the title due to its cultural resonance at the time.

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While the tune’s origins are debated, “Rights of Man” became widely incorporated into the Irish traditional music repertoire, where it is played as a hornpipe. Its intricate phrasing and characteristic “swing” rhythm have made it a favorite among fiddlers, flutists, and pipers. The melody is known for its distinctive, danceable structure, making it equally popular among step dancers.

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Today, “Rights of Man” is a staple in traditional music sessions around the world. Its enduring appeal speaks to the adaptability and universality of traditional tunes, as it continues to connect musicians and audiences across generations.