Leslie’s March

“Leslie’s March” is a traditional tune with roots in both Irish and Scottish musical traditions. The melody is structured in a 6/8 time signature, commonly associated with marches and jigs, and is typically played in the key of D major. Its composition is attributed to James Oswald, a prominent 18th-century Scottish composer and music publisher, who included it in his “Caledonian Pocket Companion” published around 1760.

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The tune has been known by various titles over the centuries, reflecting its adaptation and popularity across different regions. Alternative names include “General Leslie’s March to Longmarston Moor,” “Lasly’s March,” and “Highland March from Oscar and Malvina.” These titles often reference historical figures or events, suggesting that the tune may have been associated with military occasions or theatrical productions.

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In contemporary times, “Leslie’s March” remains a favorite in traditional music sessions, appreciated for its lively tempo and engaging melody. Its enduring appeal is evident in its frequent inclusion in tunebooks and recordings, as well as its presence in online music communities.

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“Leslie’s March” is a traditional instrumental tune and, like most Irish and Scottish marches, it doesn’t originally have lyrics. However, lyrics can sometimes be adapted to fit such tunes by creative singers or for use in ballads.