“Allistrum’s March” is a traditional Irish tune often played in sessions, celebrated for its lively rhythm and evocative melody. Typically performed in D Mixolydian, it combines rising and falling phrases that give it a distinct and memorable character. As a march, its moderate tempo and structured form make it a versatile and enjoyable piece for musicians and listeners alike. Played on instruments like the fiddle, flute, and accordion, it remains a staple of the Irish traditional music repertoire, often featuring intricate ornamentation that highlights the skill of the performer.
Allistrum’s March
Key
G Maj.
Tune Type
March
History
“Allistrum’s March,” also known as “Máirseáil Alasdruim,” is a traditional Irish tune with deep historical roots. The melody is associated with Alasdair Mac Colla (Alasdair MacDonnell), a 17th-century Scottish-Irish warrior who played a significant role in the Wars of the Three Kingdoms. According to historical accounts, this march was played by Irish war-pipers during the Battle of Knocknanuss in 1647, where Mac Colla met his demise.
.The tune is noted for its complex structure, often encompassing multiple movements that depict various scenes, including the march, battle, retreat, and laments for the fallen leader. Over time, “Allistrum’s March” has been preserved and adapted within the Irish traditional music repertoire, appearing in various collections and recordings, and remains a testament to the rich cultural exchange between Irish and Scottish musical traditions.
Also Known As
- Máirseáil Alasdruim
Lyrics
“Allistrum’s March” is primarily known as an instrumental piece in traditional Irish music, and as such, it does not have standard lyrics associated with it. While some traditional tunes have had lyrics added over time, there is no widely recognized set of words for this particular melody. Notably, the Irish music group The Gloaming has performed “Allistrum’s March,” and their rendition is instrumental, highlighting the tune’s rich melodic structure without accompanying lyrics.
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