100 Pipers

“The Hundred Pipers” is a spirited and lively jig that has become a cornerstone of traditional Irish music sessions. While its origins trace back to Scotland, it has been wholeheartedly embraced by Irish musicians. The tune’s infectious rhythm and upbeat melody make it a crowd-pleaser, often serving as a catalyst for energetic dancing and spirited interplay among session players.

Its popularity is a testament to its enduring appeal, as musicians continue to find fresh interpretations and embellishments while staying true to the tune’s core character. Whether played on the fiddle, flute, accordion, or any other traditional instrument, “The Hundred Pipers” remains a vibrant and beloved fixture of the Irish music landscape.

Key

G Maj.

Tune Type

Slide

The Hundred Pipers is deeply rooted in Scottish history, specifically the Jacobite uprising of 1745 led by Bonnie Prince Charlie. The tune’s evocative title paints a vivid picture of a formidable army preceded by a hundred pipers, their music inspiring courage and unity. While the exact origins of the melody itself remain somewhat shrouded in mystery, its association with this dramatic historical event has undoubtedly contributed to its enduring popularity.
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The song’s lyrics, penned by Carolina Nairne, a descendant of a Jacobite family, further solidified its connection to the uprising. Initially circulating as a ballad, the tune eventually found its way into the hearts of musicians and dancers, becoming a cherished part of both Scottish and Irish traditional music repertoires.
  • Wi’ a Hundred Pipers
  • Hundred Pipers
1. With a hundred pipers, and all, and all, With a hundred pipers, and all, and all, We’ll rise and give them a blow, a blow, With a hundred pipers, and all, and all. Oh it’s over the border away, away, It’s over the border away, away, We’ll go on and we’ll march to Carlisle Hall, With its gates, its castle and all, and all. With a hundred pipers, and all, and all, With a hundred pipers, and all, and all, We’ll rise and give them a blow, a blow, With a hundred pipers, and all, and all.
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2. Oh! our soldier lads looked stout, looked stout, With their tartan kilts and all, and all, With their bonnets and feathers and glittering gear, And bagpipes sounding loud and clear. Will they all return to their own dear glen? Will they all return our Highland men? Second sighted Sandy looked full of woe, And mothers cried when they marched away. With a hundred pipers, and all, and all, With a hundred pipers, and all, and all, We’ll rise and give them a blow, a blow, With a hundred pipers, and all, and all. . 3. Oh! what is foremost of all, of all, Oh! what is foremost of all, of all, Bonnie Charlie the King of us all, hurrah! With his hundred pipers, and all, and all, His bonnet and feathers he’s waving high, His prancing steed almost seems to fly, The north wind plays with his curly hair, While the pipers play with a strange flare. With a hundred pipers, and all, and all, With a hundred pipers, and all, and all, We’ll rise and give them a blow, a blow, With a hundred pipers, and all, and all. . 4. The Esk was swollen so red and so deep, But shoulder to shoulder the brave lads keep; Two thousand swam over to fell English ground, And danced themselves dry to the bagpipe’s sound. Dumfounded the English saw, they saw, Dumfounded they heard the blow, the blow, Dumfounded they all ran away, away, From the hundred pipers and all, and all. With a hundred pipers, and all, and all, With a hundred pipers, and all, and all, We’ll rise and give them a blow, a blow, With a hundred pipers, and all, and all.